In the middle of our summer residency programme, I am showing some of my work again at the Old Customs House in Kristiinankaupunki during 10-20 June. This magnificent wooden house was build in 1680 and it is a fantastic environment for shows, standing against the constantly changing, disappearing, regenerating nature of our environment.
I have named this series of photographs Evanesce with the emphasis of action rather than a state or a situation, reflecting my constant experience of change and the ephemeral nature of things and light I see around me. Are these images now corresponding to my way of remembering these people, these objects? That is what I am asking myself.
Works: 30×30 cm and 21×29 cm. Prints on Japanese handmade paper; underwater photography; transfers on organic surfaces; mixed media.
People come into our lives, and then they go. We are surrounded by persons and things that evanesce, vanish, fade away. This series catches those moments before they turn imperceptible. Are these photographs glimpses of something fleeting before our eyes? Or, are they but vague manifestations of the past in our memory?
Ay nit dañuy dund ci sunu biir ba noppi dem seen yoon. Lépp li ñu wor dafay rombë ni melax, ni mes, seey ba faw. Nataal yi dañuy wone jëf yooyule ni ñuy jaare ci sunu kanam badi seey ci jawu ji. Ndax nataal yi du ñu doon rekk luy nes-nesi ci sunu suufu gët? Walla it ñu doon fattalikub xew-xewu demb ci biir sunu xel?
Limited edition archival pigment prints on Hahnemühle Gloss Baryta, 30×30 cm.
This is a selection of my favorite shots from my first ever underwater series called Deep. They were all made in 2018 and I am now moving on towards more abstract and night photography as well as simply shoot movement, my all time favorite topic, under water. This coming summer I plan to set up a shooting in a pool or at sea for just anybody who might be interested. You are all invited to have your portrait made!
This is a short selection of portraits from my ongoing series called Flashbacks from the Future. It is a work-in-progress of underwater photography that has been transferred on organic surfaces in the later stages of the process. I hope to show a full series in summer 2019.
This is one of my most recent image transfers on wood. I have given this series the title Flashbacks From the Future and I won’t even try to explain all the connotations that went through my head while thinking of a suitable title. I somehow imagine myself as a viewer in the far future looking at these photos as something that once was. I get into that same mood for example every time I am in Dakar where I see the city in year 2118, imagining what kind of an overcrowded boiling hell it will be by that time, in its current lack of proper urban planning.
I realize now that this series is allowing my unconscious to play a more important role in the process of making each photograph. I usually work with a topic that I have defined in advance – although it might change in the process – but in this case it was the work that came first and the title afterwords, so in every sense this project appears less limiting in the ways I am creating it. This particular photo was in my selection of work-in-progress that I wanted to show on the occasion of the open house event that we organized at Waaw Artists’ Residency earlier in the week, and the feedback was interesting, as it always is. Some visitors would judge it “bizarre” while others loved it. I myself am thrilled with how this project remains open and I’ll keep working on it in the coming days and weeks. Wishing you all a Very Joyous Christmas & New Year!