In the middle of our summer residency programme, I am showing some of my work again at the Old Customs House in Kristiinankaupunki during 10-20 June. This magnificent wooden house was build in 1680 and it is a fantastic environment for shows, standing against the constantly changing, disappearing, regenerating nature of our environment.
I have named this series of photographs Evanesce with the emphasis of action rather than a state or a situation, reflecting my constant experience of change and the ephemeral nature of things and light I see around me. Are these images now corresponding to my way of remembering these people, these objects? That is what I am asking myself.
Works: 30×30 cm and 21×29 cm. Prints on Japanese handmade paper; underwater photography; transfers on organic surfaces; mixed media.
People come into our lives, and then they go. We are surrounded by persons and things that evanesce, vanish, fade away. This series catches those moments before they turn imperceptible. Are these photographs glimpses of something fleeting before our eyes? Or, are they but vague manifestations of the past in our memory?
Ay nit dañuy dund ci sunu biir ba noppi dem seen yoon. Lépp li ñu wor dafay rombë ni melax, ni mes, seey ba faw. Nataal yi dañuy wone jëf yooyule ni ñuy jaare ci sunu kanam badi seey ci jawu ji. Ndax nataal yi du ñu doon rekk luy nes-nesi ci sunu suufu gët? Walla it ñu doon fattalikub xew-xewu demb ci biir sunu xel?
Limited edition archival pigment prints on Hahnemühle Gloss Baryta, 30×30 cm.
This is a selection of my favorite shots from my first ever underwater series called Deep. They were all made in 2018 and I am now moving on towards more abstract and night photography as well as simply shoot movement, my all time favorite topic, under water. This coming summer I plan to set up a shooting in a pool or at sea for just anybody who might be interested. You are all invited to have your portrait made!
This is a short selection of portraits from my ongoing series called Flashbacks from the Future. It is a work-in-progress of underwater photography that has been transferred on organic surfaces in the later stages of the process. I hope to show a full series in summer 2019.
This is one of my most recent image transfers on wood. I have given this series the title Flashbacks From the Future and I won’t even try to explain all the connotations that went through my head while thinking of a suitable title. I somehow imagine myself as a viewer in the far future looking at these photos as something that once was. I get into that same mood for example every time I am in Dakar where I see the city in year 2118, imagining what kind of an overcrowded boiling hell it will be by that time, in its current lack of proper urban planning.
I realize now that this series is allowing my unconscious to play a more important role in the process of making each photograph. I usually work with a topic that I have defined in advance – although it might change in the process – but in this case it was the work that came first and the title afterwords, so in every sense this project appears less limiting in the ways I am creating it. This particular photo was in my selection of work-in-progress that I wanted to show on the occasion of the open house event that we organized at Waaw Artists’ Residency earlier in the week, and the feedback was interesting, as it always is. Some visitors would judge it “bizarre” while others loved it. I myself am thrilled with how this project remains open and I’ll keep working on it in the coming days and weeks. Wishing you all a Very Joyous Christmas & New Year!
I live in such a colorful environment that for some time now I’ve been wanting to add some black & white in my life just for the sake of contrast. I’ve noticed that seeing b&w photographs in exhibitions, in the midst of this continuous stream of colorful images, is very soothing.
I am also a big fan of music videos that present a story, like a short film. As far as music videos are concerned, I have two favorite categories: firstly videos in which a person – most often the singer – simply looks straight into the camera and sings. No fuss, no synchronized dancing in groups. Secondly, I love to see stories that have been filmed in black & white and with more or less non-linear and improvised narrative, such as Spoek Mathambo – The Mountain ft. Pegasus Warning, Dj Spoko & Dj Mujava. Take any screenshot moment in this fabulous clip and it will turn out interesting. That’s something to work for! Another good example of somewhat rare and cinematographic music video in b&w is Michael Kiwanuka’s song Black Man in A White World. It falls in the category of “What did I just see?” And there are others…
I have always been fascinated by the human body and how a person expresses him/herself through movement, and sometimes also with the lack of it through a momentary pause or “pose”. When I think of movement in a photograph I am not so much talking about the actual blur that the movement may create at the time of shooting the photo but rather about the idea inside the frame of “what comes next” or “how we got here”. So in a way a photo can talk loudly about what is not in the photo at that particular time. I am hoping to catch that kind of movement both in underwater photography and in shooting b&w film. It’s too early to say where all this will take me and that’s the fun in the whole thing! My plan is to buy a film scanner some time soon and and start working on prints on interesting papers. I have already experimented with handmade Japanese paper with interesting results. A new year is about to begin, and so is a new direction in my art practice.
This is the camera that I work with these days. After having shot one roll of film my impression is that I am going to use it for portrait photography and close ups. I love the feel of this in my hand and everything in it is very much straight forward, which of course suits my character as a photographer. Looks like I will be carrying it with me a lot – a welcomed alternative to using the heavy DSLR. As it happens, for the moment the nearest place in which I may be able to have my films developed is in Mbacké, a two hour’s ride from Saint-Louis.. that means slow projects to say the least. But chances are good that soon there will be a photo lab in Saint-Louis as well, fingers crossed!
Songu daan koo is a project in which I want to focus on expressions of movement. The title comes from a song by the notorious Youssou N’Dour and Akon. I have very fond memories of this particular song and I am guessing that one day, when retired, I’ll be sitting in a rocking chair smoking pipe and as soon as I hear this song I will jump up and do some moves! That is, of course, if I should be lucky enough to rock in a chair in Senegal or anywhere warm under a shady tree rather than in some boring elderly people’s home where they will force us to do water colors every Thursday morning and prohibit smoking altogether. Oh, and come to think of it, how likely is it that elderly people in such institutions get to hear Youssou N’Dour? Or any music? I don’t really know those places… And there are no rocking chairs in Senegal either! Anyway this song reminds me of the gym I used to go to in Guet Ndar on the side of the town where a very dense fishing community lives. We would do fitness exercises in synchronized moves and formations and I was quite impressed how well everybody, men and women, exercised together and everybody, not just the coaches, encouraged each other to stay on the move and keep fit.
There is also one other reason why I’m getting myself accustomed to this camera. I will be using it on our upcoming “Analog Extreme” mobile art residence in February in Mauritania. A full ten days of walking in the vast emptiness, off the radar. The semi-nomadic camel herders will be the likely candidates to end up in my photographs. It’s time to brush up some Hassanya so that I can politely ask them whether a photo would be OK – I can quite conveniently start practicing in the local grocery store Xewel where I am a regular customer. During the trek I just might, in lack of subjects, end up taking photos of our traveling companions instead, which of course would be just as good. So we will be a bunch of artists with very little gadgets to carry with us and we’ll take photos of each other and desert landscapes. I love every part of this!
Let’s admit it, there is a somewhat oxymoron twist when you talk about going analog in a blog as you do need some digital gadgets to even read what I am writing here, but for those like-minded people out there who sometimes feel tired of screens and everything digital and who would like to shift from representation back to direct experience, there is an offline publisher called Analog Sea that prints books. The Analog Sea Review – An Offline Journal (Summer 2018) discusses these matters through interviews and various contributions by artists and I can fully recommend it! In order to receive a copy of their bulletin or ask in which independent bookshops to find their titles you can – naturally – write them a letter.