One of my neighbor’s sheep has just been immortalized on a leaf! My other “sheep on grass” anthotypes did not succeed as nicely just because after one week’s exposure under the Finnish sun the grass had started to roll instead of staying flat. I had sandwiched the grass and the positives in an improvised developing frame that just wasn’t tight enough. Nevertheless, I am excited, and in a couple of days we shall see how my organic selfies and some other photos turn out. Fingers crossed that there will be more sunny days in the coming week.
PS. In case you are wondering what “anthotype” is: it’s an environmentally friendly photo process where all you need to make a print is the photosensitive material of plants, sunshine and time!
Update on July 1 – My organic selfies were badly damaged because of a rainy night so much so that water had reached and soaked the leaves. The only hermetically closed frame that survived had the image of another sheep, see below. I really like this process and will experiment with anthotypes again a little later when back in Senegal, where the rains are not such a bother!
People come into our lives, and then they go. We are surrounded by persons and things that evanesce, vanish, fade away. This series catches those moments before they turn imperceptible. Are these photographs glimpses of something fleeting before our eyes? Or, are they but vague manifestations of the past in our memory?
Ay nit dañuy dund ci sunu biir ba noppi dem seen yoon. Lépp li ñu wor dafay rombë ni melax, ni mes, seey ba faw. Nataal yi dañuy wone jëf yooyule ni ñuy jaare ci sunu kanam badi seey ci jawu ji. Ndax nataal yi du ñu doon rekk luy nes-nesi ci sunu suufu gët? Walla it ñu doon fattalikub xew-xewu demb ci biir sunu xel?
Limited edition archival pigment prints on Hahnemühle Gloss Baryta, 30×30 cm.
This is a short selection of portraits from my ongoing series called Flashbacks from the Future. It is a work-in-progress of underwater photography that has been transferred on organic surfaces in the later stages of the process. I hope to show a full series in summer 2019.
This is a follow up to my previous post and short update in which I would just like to share with you my thoughts on how much work there can be behind a photograph. These three photos are from my second attempt of creating portraits with a new media. They are looking interestingly “damaged” but that was not intentional and I am still not entirely happy with the results.
This means that I will have to experiment more and more and run a third and possibly a fourth trial (or even more if that’s what it takes) before I can trust my skills so much that I would get on with new portraits. The slowness of the whole process is not entirely up to my skills, it has also quite a lot to do with the fact that I am short of materials and equipment in Saint-Louis and so improvisation and trial and error takes a massive role in the whole. This of course is part of the fun, and it keeps me busy!
Guet Ndaru Mool is one of my continuous photography projects. Now after summer break I thought I would focus particularly on portraits and make a series that would have a retro feel and reflect the organic nature of the local fishing business. Here’s for starters:
The local fishing community feels the effects of climate change first hand and many families have already lost their homes to the sea. Their lifestyle is vulnerable and alarmingly threatened because of coastal erosion and rising sea levels. A few years back we hosted documentary photographer Greta Rhybus at Waaw and she made a fantastic photo series on climate change in Senegal.
In Saint-Louis life really spins around fishing. There are anglers on the edges of the river; men in water up to the waist – or sometimes neck – throwing in their nets both in the river and in the sea; there are small boys in giant wooden fishing boats called pirogue on the shores just waiting to grow and follow in the footsteps of their fathers; there are boat builders, engine repairers, horse carriages, fish dryers, men sleeping on giant mountains of blue nets, waiting for departure or resting after a night out in the sea, net repairers, refrigerators, ice vans, ice factories… and the big fish market where women handle and sell fish and where the other-worldly scenes of busy crowds, melting ice and crazy chaos with some hidden order to it make it one of my favorite spots in the entire town… That other-worldliness is what I am hoping to catch into my portraits.