Photos par Cheikh Beye – Ndar Ndar Music & Café – Ile Nord Saint-Louis
Collaboration avec la Galerie Éthiopiques 18 février – 31 mars
Le Thiessois Cheikh BEYE (décédé en 2015) commençait sa carrière comme photographe à Dakar en 1950. À partir de 1954 il était propriétaire et gérant de l’entreprise Euréka Photo à Thiès. Son oeuvre photographique consiste, entre autres, des portraits d’atelier mais également des photos de presse de la sphère politique, des événements sportifs etc.
Naturellement, dans la ville du rail, les cheminots et les activités autour de la gare figurent dans une grande partie de ses photos.
The Thiessois Cheikh BEYE (died in 2015) began his career as a photographer in Dakar in 1950. From 1954 he was owner and manager of the company Euréka Photo in Thiès.His photographic work includes, among other things, workshop portraits but also press photos from the political sphere, sporting events, etc. Naturally, in the city of rail, railway workers and activities around the station appear in a large part of his photos.
Those of you who are going to be in Dakar and attend the Dak’Art Biennale, please mark your calendars for my exhibition Deep in Ngor. The exhibition takes place in Le Spot de Ngor, a very cozy venue where you can also have coffee and a healthy lunch, or find the latest gear for swimming and surfing. It is located in Ngor-Plage, a one-minute-walk from the beach so why not have a half-day off from the traffic jams of the city and dip yourself in the ocean as well?
Deep. Underwater photography, mixed media – Dak’Art Biennale OFF. May 28 – June 14, 2020.
A first milestone in my Afropolis photo project: a work-in-progress exhibition. I framed twelve prints last night to show what I am working on. This small show is combining some sleek-looking photos and rough handmade and “unfinished” frames made out of old windows that are very easy to come by here in Saint-Louis. Doing this show has helped me a lot in both choosing the photos that I want to include in later exhibitions and defining the theme or themes that this project will bring forward. These twelve photos were taken in Addis Ababa and once I will have more material from the other cities – Dakar, Nouakchott and Bamako – these themes will certainly develop more in the process. For now I can say that visually I hope to capture some of the contrasts of neighborhoods that are human in size and “organic” against the modern construction boom with glass and steel buildings reaching up in the skies, and human activity characterized by informality that takes place in between these two dynamics. More of that later with more photos!
Ndar Ndar Music & Café, Saint-Louis: A work-in-progress photo exhibition “Afropolis 2020” with a focus on African urban space: Addis Ababa. The final exhibition material will be made in platinum prints in summer 2020.
A selection of my underwater photography will be in a collective exhibition in St.Louis Missouri (US), hosted by Barret Barrera Projects and curated by Modou Dieng / Blackpuffin in October 4 – November 23, 2019. The exhibition will inaugurate a new and exciting art space in St.Louis.
Statement by Modou Dieng:
The City on the River meets River City. Our Sister City from Africa: Saint-Louis, Senegal.
“A tale of métissage, five centuries old, sitting at its heart. A duality in colors pulsing through the fashion, the jazz, the crafts, permeating all aspects of its culture. The artists who have lived there, who were born there, or those who have simply fallen in love with her, all feel this rhythm. Past, present and never ceasing.”
I am very excited to be part of this and will share more details about the exhibition and other participating artists a little later!
In connection with the current collective exhibition The Ocean of Tuonela (18 June – 31 July) where my series of portraits on fish skin and prints from the series Guet Ndaru Mool are on show, here is another short series of photographs in the same spirit. This particular series is called Nappkat, which means simply “Fisherman” in Wolof and which I had made already earlier in 2018.
I thought I had come to an end photographing the lives of fishermen in Saint-Louis but it seems that I may well keep working on that theme in some other ways, as documenting life where I live is what I do. I am soon starting a new long term project with photography and sound on urban environment and Saint-Louis being very much urban, fishermen will evidently be part of the project, one way or another.