Rubbing porous and organic surfaces is fun and I love the result especially with photographs on water and reflections.
These examples are from my first underwater series called DEEP.
I develop cyanotypes on the rooftop that can be reached only by a steep ladder. Keeping fit with short exposure times!
W o r k i n p r o g r e s s
Guet Ndaru Mol – Organic photography & portraits. A photo essay with portraits that I have produced on fish skin. They represent a community of fishermen who, as a result of climate change, coastal erosion and rising sea levels, are losing their homes and jobs in a world in which the entire traditional and small-scale fishing and fish processing are at stake. These portraits are accompanied by witnessing voices by the persons involved, telling that all this is happening now.
Songu Daan Koo – A black & white photo essay on expressions of movement.
C u r r e n t c o l l a b o r a t i o n s
Waxande – stories from the Senegal river – a photography book with stories told by Idrissa Diop. Editions in Wolof, English, French and Finnish.
R e c e n t e x h i b i t i o n s
Sabaru Demb – A Rhythmic Experience. Photography and recordings (2015, Galérie Éthiopiques, Saint-Louis)
Jamonoo Ngi Nii. Photography and video installation (2016, Dakar Biennale OFF)
Ca Bouge. Photography and video installation (2017, Festival Le Fleuve en couleurs, Saint-Louis)
Something is hatching at la Folie du Baron. Photography (2017, La Résidence, Saint-Louis)
Deep. Underwater portraits (2018 Kristinestad International Art Week, Finland)
Self. Portraits on wood (2018, Ndar Ndar, Saint-Louis)
Collective: Dessins & Design. Photography and light installations (2016, Galérie Éthiopiques, Saint-Louis)