S e r i e s i n p r o g r e s s
Guet Ndaru Mol – Organic photography & portraits. A photo essay with portraits that I have produced on fish skin. They represent a community of fishermen who, as a result of climate change, coastal erosion and rising sea levels, are losing their homes and jobs in a world in which the entire traditional and small-scale fishing and fish processing are at stake. These portraits are accompanied by witnessing voices by the persons involved, telling that all this is happening now.
Sabaru Tey – A photographic continuation to my earlier sound work on sabar, with a focus on the bodily transmission of culture.
Asmari House, or What Happened After Curfew – A photographic study on the Ethiopian institution of Asmari Houses and their role in the Ethiopian urban culture (October 2019).
C u r r e n t c o l l a b o r a t i o n s
Ci biir dexu Senegal – stories from the Senegal river – a photography book with stories told by Idrissa Diallo. The Finnish edition Tarinoita Senegaljoesta is published in March 2019 and the Wolof edition will be published later in the year.
R e c e n t e x h i b i t i o n s
Sabaru Demb – A Rhythmic Experience. Photography and recordings (2015, Galérie Éthiopiques, Saint-Louis)
Jamonoo Ngi Nii. Photography and video installation (2016, Dakar Biennale OFF)
Ca Bouge. Photography and video installation (2017, Festival Le Fleuve en couleurs, Saint-Louis)
Something is hatching at la Folie du Baron. Photography (2017, La Résidence, Saint-Louis)
Deep. Underwater portraits (June 2018, Kristinestad International Art Week, Finland)
Self. Portraits on wood (2018, Ndar Ndar, Saint-Louis)
Evanescent. Portraits on organic surfaces (June 2019, Kristinestad International Art Week, Finland)
Collective: Dessins & Design. Photography and light installations (2016, Galérie Éthiopiques, Saint-Louis)
Collective: Vivre! Photographie de la Résilience. Fondation Dapper, (29 March-29 April 2019, Gorée, Senegal)