Those of you who are going to be in Dakar and attend the Dak’Art Biennale, please mark your calendars for my exhibition Deep in Ngor. The exhibition takes place in Le Spot de Ngor, a very cozy venue where you can also have coffee and a healthy lunch, or find the latest gear for swimming and surfing. It is located in Ngor-Plage, a one-minute-walk from the beach so why not have a half-day off from the traffic jams of the city and dip yourself in the ocean as well?
Deep. Underwater photography, mixed media – Dak’Art Biennale OFF. May 28 – June 14, 2020.
A selection of my underwater photography will be in a collective exhibition in St.Louis Missouri (US), hosted by Barret Barrera Projects and curated by Modou Dieng / Blackpuffin in October 4 – November 23, 2019. The exhibition will inaugurate a new and exciting art space in St.Louis.
Statement by Modou Dieng:
The City on the River meets River City. Our Sister City from Africa: Saint-Louis, Senegal.
“A tale of métissage, five centuries old, sitting at its heart. A duality in colors pulsing through the fashion, the jazz, the crafts, permeating all aspects of its culture. The artists who have lived there, who were born there, or those who have simply fallen in love with her, all feel this rhythm. Past, present and never ceasing.”
I am very excited to be part of this and will share more details about the exhibition and other participating artists a little later!
In the middle of our summer residency programme, I am showing some of my work again at the Old Customs House in Kristiinankaupunki during 10-20 June. This magnificent wooden house was build in 1680 and it is a fantastic environment for shows, standing against the constantly changing, disappearing, regenerating nature of our environment.
I have named this series of photographs Evanesce with the emphasis of action rather than a state or a situation, reflecting my constant experience of change and the ephemeral nature of things and light I see around me. Are these images now corresponding to my way of remembering these people, these objects? That is what I am asking myself.
Works: 30×30 cm and 21×29 cm. Prints on Japanese handmade paper; underwater photography; transfers on organic surfaces; mixed media.
This is a selection of my favorite shots from my first ever underwater series called Deep. They were all made in 2018 and I am now moving on towards more abstract and night photography as well as simply shoot movement, my all time favorite topic, under water. This coming summer I plan to set up a shooting in a pool or at sea for just anybody who might be interested. You are all invited to have your portrait made!
This is a short selection of portraits from my ongoing series called Flashbacks from the Future. It is a work-in-progress of underwater photography that has been transferred on organic surfaces in the later stages of the process. I hope to show a full series in summer 2019.
This is one of my most recent image transfers on wood. I have given this series the title Flashbacks From the Future and I won’t even try to explain all the connotations that went through my head while thinking of a suitable title. I somehow imagine myself as a viewer in the far future looking at these photos as something that once was. I get into that same mood for example every time I am in Dakar where I see the city in year 2118, imagining what kind of an overcrowded boiling hell it will be by that time, in its current lack of proper urban planning.
I realize now that this series is allowing my unconscious to play a more important role in the process of making each photograph. I usually work with a topic that I have defined in advance – although it might change in the process – but in this case it was the work that came first and the title afterwords, so in every sense this project appears less limiting in the ways I am creating it. This particular photo was in my selection of work-in-progress that I wanted to show on the occasion of the open house event that we organized at Waaw Artists’ Residency earlier in the week, and the feedback was interesting, as it always is. Some visitors would judge it “bizarre” while others loved it. I myself am thrilled with how this project remains open and I’ll keep working on it in the coming days and weeks. Wishing you all a Very Joyous Christmas & New Year!
I’m going deep again for a new series of underwater photography. The last time it was all about portraiture, and in this second series I aim to catch movement. I am fascinated by the amount of variables when it comes to light under water and looking at movement in water just adds to the excitement. On top of free-diving, another fun part in underwater photography is that you get crazy colors without post-editing!
I have a confession to make well before the approaching New year’s resolutions: I appear to have become more buoyant since the last underwater shootings. It’s really hard work to stay underwater without a weight belt. In the past I did not pay so much attention to this, or I used various improvised methods such as attaching a weight around my toe with a string.
My friends are using water rescue training manikins to train lifeguard skills in water. When they train to become lifeguards, they are expected to pass a test in which they need to hold the manikin above the water for three minutes. It actually sounds easier than what it is. They thought it would be a good idea to let the manikin make me sink in the bottom of the pool. The idea was that I would wrap my legs around it (him? Does this thing have a nick name?) and as it weights 60 kg when filled with water, I would be able to remain under the surface easily. But no! The moment I would try to stay still and concentrate on my camera, I would start a slow but steady travel back on the surface of the water with the manikin between my legs. My friends could not believe it!
I guess the only solution to this buoyancy problem is to go back to my good old habit of swimming more often and longer and yes, loose some body fat! And maybe buy that belt too.