I have made some anthotype prints in the past but never found time long enough to experiment with that technique. So far my plan has always been postponed to “that next summer in Finland” when I would, in theory, attempt to extract some delicious photo sensitive juice out of the intestines of whichever plant or berry I could get my hands on. And then the summer would come, and I would be busy with too many other things... Now the new plan is that we will organize a workshop on anthotypes, so perhaps when it’s part of a more official residency program it will materialize in a more constructive way.
Anthotypes aside, I just realized earlier this week that I have a relatively easy access to banana leaves and decided to give it a go and make chlorophyll prints. I am a fan of Binh Danh’s work* and some years ago when I saw some of his portraits I knew that one day I would put my mind to it and try this process myself. And here’s that day! Below is my first print, which I made out of an old negative converted into a positive when the print was ready. That’s because I did not have a transparent positive to work with, I was just too eager to give it a go! This print had an exposure of approximately 24 hours. More experimentation is on its way now and with proper positives.
I made the piece called Sunglasses of a positive that was printed on paper. I had to add some contrast to make the photo more visible though. I have sometimes used very thin white Japanese paper as a positive with good results, but this slightly opaque transparent paper did not work so well even if I had an exposure time of nearly 48 hours. Some other positives on paper were much more contrasted than this one and they all failed to print anything. I may need to experiment with the level of contrast as well since this work was the least contrasted and it produced a fairly decent print.
A selection of my underwater photography will be in a collective exhibition in St.Louis Missouri (US), hosted by Barret Barrera Projects and curated by Modou Dieng / Blackpuffin in October 4 – November 23, 2019. The exhibition will inaugurate a new and exciting art space in St.Louis.
Statement by Modou Dieng:
The City on the River meets River City. Our Sister City from Africa: Saint-Louis, Senegal.
“A tale of métissage, five centuries old, sitting at its heart. A duality in colors pulsing through the fashion, the jazz, the crafts, permeating all aspects of its culture. The artists who have lived there, who were born there, or those who have simply fallen in love with her, all feel this rhythm. Past, present and never ceasing.”
I am very excited to be part of this and will share more details about the exhibition and other participating artists a little later!
In connection with the current collective exhibition The Ocean of Tuonela (18 June – 31 July) where my series of portraits on fish skin and prints from the series Guet Ndaru Mool are on show, here is another short series of photographs in the same spirit. This particular series is called Nappkat, which means simply “Fisherman” in Wolof and which I had made already earlier in 2018.
I thought I had come to an end photographing the lives of fishermen in Saint-Louis but it seems that I may well keep working on that theme in some other ways, as documenting life where I live is what I do. I am soon starting a new long term project with photography and sound on urban environment and Saint-Louis being very much urban, fishermen will evidently be part of the project, one way or another.
In the middle of our summer residency programme, I am showing some of my work again at the Old Customs House in Kristiinankaupunki during 10-20 June. This magnificent wooden house was build in 1680 and it is a fantastic environment for shows, standing against the constantly changing, disappearing, regenerating nature of our environment.
I have named this series of photographs Evanesce with the emphasis of action rather than a state or a situation, reflecting my constant experience of change and the ephemeral nature of things and light I see around me. Are these images now corresponding to my way of remembering these people, these objects? That is what I am asking myself.
Works: 30×30 cm and 21×29 cm. Prints on Japanese handmade paper; underwater photography; transfers on organic surfaces; mixed media.
I took my microphone for a walk yesterday. Making recordings is fun, and listening to them is just as much fun! Hit the play button, sit back or stand tall, make some moves or lye in bed and travel inside your head to wherever… this immediacy is what makes music and sound so cool. In this world of screens and scrolling suddenly it is what you are hearing that is scrolling you. Up and down! I also like the fact that when you make your own recordings, you can actually return to those spaces you visited and to me this experience is very spatial and three-dimensional and the visual memory comes not quite simultaneously but after that first spatial “feeling.” It reminds me of the game I invented when I was small: I would walk our dog in the neighborhood and register every little detail on the route and when back home, I would close my eyes and make that walk again and try to remember all those details. I developed the skill so much that I would re-remember walks that had lasted for over an hour, with street crossings, houses, trees, colors, smells, sand under my feet, strangers and familiar persons I had met and what we said to each other, cracks in the concrete of which I would check the advancement the next time I returned.. to the point that it almost became my second nature to this day.
This recording is made of one short walk from home to the sea (I needed the sound of the sea for an upcoming exhibition) and it is filled with human voices, cars, mopeds, sewing machines, sheep, horses, birds, singing, calls for prayer, radio voices, lazy steps, small money in calabashes, carpentry noises… the usual stuff in Saint-Louis and Guet Ndar. And then there is the ocean.
Everything in its raw state, recorded on May 9, 2019 for Get Ndaru Mool and Soundscapes From the Sahel. All rights reserved.