Organic photography and chlorophyll process

I have made some anthotype prints in the past but never found time long enough to experiment with that technique. So far my plan has always been postponed to “that next summer in Finland” when I would, in theory, attempt to extract some delicious photo sensitive juice out of the intestines of whichever plant or berry I could get my hands on. And then the summer would come, and I would be busy with too many other things... Now the new plan is that we will organize a workshop on anthotypes, so perhaps when it’s part of a more official residency program it will materialize in a more constructive way.

Anthotypes aside, I just realized earlier this week that I have a relatively easy access to banana leaves and decided to give it a go and make chlorophyll prints. I am a fan of Binh Danh’s work* and some years ago when I saw some of his portraits I knew that one day I would put my mind to it and try this process myself. And here’s that day! Below is my first print, which I made out of an old negative converted into a positive when the print was ready. That’s because I did not have a transparent positive to work with, I was just too eager to give it a go! This print had an exposure of approximately 24 hours. More experimentation is on its way now and with proper positives.

Maam Coumba Bang. Chlorophyll print (detail), 2020 © Jarmo Pikkujamsa
Sunglasses. Chlorophyll print, 2020 © Jarmo Pikkujamsa

I made the piece called Sunglasses of a positive that was printed on paper. I had to add some contrast to make the photo more visible though. I have sometimes used very thin white Japanese paper as a positive with good results, but this slightly opaque transparent paper did not work so well even if I had an exposure time of nearly 48 hours. Some other positives on paper were much more contrasted than this one and they all failed to print anything. I may need to experiment with the level of contrast as well since this work was the least contrasted and it produced a fairly decent print.

*Link to Alternative Photography and the chlorophyll process where you can see some examples of Binh Danh’s beautiful prints.

The Freedom Artist

To those of you who read books: here’s another recommendation of a compelling examination of how freedom is threatened in a post-truth society. Ben Okri says that he had wanted to write this book “for a long time, maybe all [his] life.” Reading it now in these crazy times is bound to put an even heavier weigh on your chest.

New tales were encouraged. New myths were created by the most highly decorated artists of the land. To be like everyone else was the highest distinction a citizen could hope for. All the new myths promoted this ideal. Uniqueness, individuality, curiosity, became invidious qualities. They made enemies of the state. Anyone who stood out in some way was suspect. To be different was to condemn your fellow citizens. Those who were tall learnt to walk with a stoop. The intelligent learnt to be foolish.

I started this book in an aircraft full of passengers from Freetown. Half of them had full body protective suits, gloves and plastic hoods on throughout the flight. At times, when I had a break from reading and looked around me, I felt I was still in the story! It was one of those powerful moments when you think you escape this world into a book, into that famously mythical world by Okri, and yet everything that is happening around you looks even more fictive and absurd.

Ben Okri: The Freedom Artist (Head of Zeus, 2019)

Can you see the sea?

From the series Nappkat (2017)

What will Dakar look like in 50 years from now and who will then have access to the sea? This and some other thoughts about the situation with coastline in Dakar will feature in my next documentary film that I am starting to work on. For reference, here is a cross post called Corniche – Live Your Dream from my other blog with a couple of photos from Les Mamelles, and another link to a 59 seconds long trailer for Afropolis 2021 Dakar, the film-to-come. Stay tuned!

Chez Relax

I made a documentary about my hometown recently. In the film I am asking people to tell me about their relationship to their town, Saint-Louis, in the north of Senegal by the Mauritanian border. In its final stages of post production I came to realize that I may have chosen to shoot with mini-DV quite subconsciously: it creates a rather rough but at the same time soft view of the footage.

Truth to be told, this town is dirty.

If you have been to Saint-Louis, a town that still carries the Unesco World Heritage label, you may have wondered how it is possible that the river has become a dumping site for domestic waste. In the old days people used to give food as offerings to the river spirits but these days it is just trash, and more trash that finds its way into the river. Ngagne Dabo Ndiaye, who has traveled extensively in his life and who returned to Saint-Louis, had enough of this and has transformed the river side into a small oasis, right next to the bridge and opposite to Hotel Sunu Keur. Now there are plants, tables and chairs and benches for anyone to have a break. He took the initiative to clean this area and planted trees and set up a place where you can have a coffee and snacks and just sit back and relax.

Ngagne Dabo Ndiaye

Ngagne Dabo Ndiaye’s dream is that he will find collaborators with whom he could create more activities for everybody with canoes, paddling boats, games for children and so on. He has been running Chez Relax now for a year without any support and any small gain from selling coffee goes to keeping this place running. If you are in town, please do visit him and stop for a chat and coffee and maybe a sandwich! In case you show up there in the hot hours of the afternoon and he is nowhere to be seen, check under the bridge: he might me having his siesta down there in the cool river bank.

Chez Relax_17FEB2020_2 (1 of 1) copy
View from Chez Relax coffee tent